Urgent .. a story details "Leader of renewal in Egyptian music on a traveler anniversary

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Al -Qasbaji had added to the eastern music colors of new rhythms, fast -moving melodies and the bell -tied camels that are far from improvisation, and presented many lyrical works that are a sign in the history of music.

& nbsp; On April 15, 1892 in Cairo Governorate, he was attached to art from a young age, where he grew up in a musical family. His attachment to music made him leave the field of education and tend to work in composing, so that he was able to master the origins of playing and composing and helped his general culture in the depths of this field ably, and his first song was from his systems and compositions at the beginning of it & quot; This song was recorded with the voice of singer Zaki Murad, and he was one of the famous singers at that time, and she achieved success and then started the professional journey of Al -Qasbaji in the art world.

& nbsp; From the words of the poet of his time, Sheikh Ahmed Ashour, then he joined Takht Al -Akkad Al -Kabeer, a law player after he was impressed by him and the late Mustafa Bey Reda, head of the Eastern Music Club, in 1920, Al -Qasbaji went another direction in the composition of the Taqqeq, which was written by Sheikh Yunus, including Tatqouq & quot; after Al -Asha & quot; The & quot; the pigeon shawl put the bathroom & quot;

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Al -Qasbaji worked to renew Arab music in the same years that Sayyid Darwish worked. They looked together in 1917, renewed the color of Arab singing, influenced the classic European heritage in music, entered into singing in singing, and raised musical supplies and made them an important and indispensable part of the musical construction.

& nbsp; Without distorting the mood of this music or losing her soul, personality and national flavor. Al -Qasbaji was the owner of a private school in composing and singing and not imitating anyone in his tunes, and he was made in his tunes a homogeneous fabric between the originality of the East and the advanced Western methods, so he rose with oriental music towards a new world.

& nbsp; The violin was the oud player in the band, and he did not stop at the traditional form of the Arab music band, so he added to his band the chilo machine and the cupbus machine, two west.

& nbsp; & quot; oppressed & quot; And & quot; Kid Al -Nsa & quot; And & quot; life life & quot; And & quot; the inspector was deprived of the inspector & quot; also presented to Najib Al -Rihani three melodies in the opera & quot; the morning star & quot;

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and melody for the most famous singers, Umm Kulthum when he listened to her in 1923 and she sought poems in praise of the Messenger and admired her and in 1924 she composed her first song and she is & quot; He spoke & quot;, and a melody for her about 72 songs, and he had been helping her for the last day of his life, so that when he died at the end of the sixties, she remained & quot; Umm Kulthum & quot; He kept his seat, behind her on stage, in appreciation of his role and his career with her. And Al -Qasbaji tune for many singers, including: Laila Murad & quot; My heart is my guide & quot; When will you know & quot;

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and he is a student of his hands in playing the oud many composers, including Riyad Al -Sanbati and the musician Mohamed Abdel -Wahab.

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