Unforgettable faces and immortal stories in the drama

The mother’s role on the screen was not just a secondary figure, but it was always the beating heart of events, whether as an incubator for the heroes or as a major engine of the dramatic conflict, since the beginnings of the cinema, the stars of Qadrat have emerged from the mother’s personality with an exceptional performance that left a immortal effect in the conscience The affectionate, strong, authoritarian, and sacrificed, as well as playing Egyptian literature a pivotal role in forming this image, as it appeared in the Naguib Mahfouz trilogy, which presented multiple models about the mother’s personality, in this report, we review the views of the critics about the mother’s image in artwork:
at the beginning you see the critic Magda Khairallah, that the role of the mother in the Egyptian cinema has passed in multiple stages, & nbsp; Her children were raised, then the struggling mother appeared, through many personalities, most notably Ferdous Muhammad and Amina Rizk, then the image later developed to the modern mother, who may be an employee and bears the responsibility of her family, as the artist Faten Hamama embodied in the movie & Laquo; She succeeds in protecting her family. Until there are prominent roles in the Egyptian drama, most notably Hoda Sultan in & laquo; The series & Raquo; the full number & raquo; despite her young age, she was able to preserve the cohesion of her family and care for her children. The responsibility of her grandchildren also, especially when her husband abandoned her, this lady surprised me because she is a frequent model in society, but she did not receive enough attention in artworks, and if she wrote one day about the mother, I think that this woman deserves to have an artistic work that highlights her suffering and sacrifices & raquo;. Amina Rizk, and she is represented on the Hanager Theater, and she exceeded ninety years, where she embodied a role in the play & laquo; Shahrazad & raquo; The last & raquo;. Motherhood is practicing in its true sense, she was able to embody her sincerely to the extent that we believe her in all her roles & raquo;
Al -Shennawi commented on the image of the mother in the trilogy of Naguib Mahfouz, saying: & laquo; a honest personality was completely different, as she was associated with Mr. Abdel -Jawad and there was a great contradiction between them in everything, this character was a special narrative situation The artist Amal Zayed in her embodiment brilliantly, but she remained a literary and dramatic situation for a goal or meaning that the writer Naguib Mahfouoh would communicate & raquo;
critic Mahmoud Qasim explained that the Egyptian cinema presented through its successive generations many of the stars who starred in the embodiment of the role of the mother, and Ferdous Muhammad was one of the most prominent, where he considered it & laquo; Egyptian & raquo; Unlikely, due to her ability to present the image of the traditional Egyptian mother with great realism, through her natural performance and simplicity in acting. They moved to present the roles of mothers, while each artist retains her own style and charm. For example, Faten Hamama presented a strong and ideal mother’s model in the movie & Laquo; Bread & RAKUO;
& nbsp; & laquo; Lee: Do you have mothers in this way in reality?!, And the truth is that I do not prefer this image for the mother, because it seems far from reality & raquo;
When talking about the mother’s image in the drama, Qasim believes that the artist Hoda Sultan in the series & laquo; Co -raquo;, they were one of the most prominent professionals in embodying the role of the mother in the Egyptian drama, continuing: & laquo; for Karima Mukhtar, her first roles were as a mother in the movie & Laquo; the price of freedom & raquo;, quoted by the French play entitled Montsrat, then she presented many important works, the most prominent of them is the grandson and the parents with charity, and it was indeed the embodiment of For the ideal mother in the form and performance of more than wonderful & raquo;
and followed Qasim & laquo; at the present time, I see that the artist Mona Zaki presented the role of the mother in a wonderful way in the series & laquo; Newton’s game & raquo; where she was able to embody the image of the contemporary mother who faces different challenges & raquo;
and concluded Qasim Haditha Saying: & raquo; and we cannot also forget the great lady, a white country, who has created the role of granddaughter and mother in many works, and left an unforgettable imprint in the history of Egyptian cinema & raquo;
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