A great history of God’s blessed land
& laquo; here the battle was and the championships were & raquo. And cross 73, and even the war against terrorism, as art continued to document the story, and evoke the souls of the heroes .. In this report, we review the most prominent of what art presented about the Egyptian army championships on the turquoise land. It is commensurate with the greatness of the event, and we still need huge works at the cinematic and dramatic levels, in line with the size of the tournaments and sacrifices that were made for the liberation of the land & rdquo;
Khairallah emphasized, that this issue is not only related to documentation or entertainment, but it is considered a national security issue, adding: & ldquo; It is limited to Israeli production only, but major European production authorities participate, and this represents a challenge that requires us to respond with strong and influential artwork & rdquo;
and about an idea that you wish to present as an author in a technical work on Sinai, Khairallah said: & LDQUO; I do not care only with military details, but the people themselves, whether they are leaders or recruits, as it was October. Heroes of the peasants and the simple recruits, as well as to liberate the Sinai men from the common people, and their role in the manufacture of victory should not be reduced; Her moments. The soldier’s character presented with distinction and ingenuity, praising the role of the artist Mahmoud Morsi in the movie & LDQUO; the price of freedom & rdquo;. There is a novel called & LDQUO; the bullet is still in my pocket & rdquo; The writer Ihsan Abdel -Quddus, who turned into a famous movie, was more clear in filming the national role of the Bedouin Sinai, especially in the scene in which the Egyptian soldier hides inside the Bedouin tents, where they provide him with protection and give him their clothes to help him return to the valley, which indicates their sincere affiliation and their rejection of the occupation & rdquo; The national loyalty came in the movie & RDQUO. The artist Mahmoud Abdulaziz and the director Ali Abdel -Khaleq, based on one of the true stories of the intelligence files, went on: & ldquo; in this film, the scene of the father Al -Sinawi who kills his son after discovering his betrayal and cooperation with the enemy & rdquo;
is considered & LDQUO; Qasim & rdquo;, this scene is a blatant embodiment of the position of the Sinai Betrayal, and their insistence on purifying this shame at any cost, even if the price is the life of the only son. Unfortunately, cinema or drama did not present artworks worthy of the events of the October War, through the war of attrition, to the liberation of Sinai and the lifting of the Egyptian flag from Taba, which was the last point that was liberated & rdquo;. Through negotiations that were very difficult and carrying a strong drama, but this was not presented on the screen at the required level & rdquo;
and continued: & ldquo; the October War is one of the important wars globally, and is taught in all the works that dealt with the war, but even the works that were presented on the screen were weak & rdquo;
and confirmed that there are songs presented The most prominent of which is & LDQUO; Sinai came back again Lina & rdquo; For the late Shadia, it reflects the level and value of military and negotiating action, but the cinema and drama did not provide anything in this field. The strongest armies of the world, even if they are based on old facts, in order to create a firm mental image of the American power, which is an approach to America constantly. And its strength, and although America was defeated in Vietnam, they present great dramatic and cinematic works about that war, which makes anyone sympathize with the American soldier, although in fact a criminal, and I also hope to see many works that express this anniversary and this time era of history, because it deserves to be made in dozens and hundreds of artistic works, but unfortunately, I do not see that in Reality & rdquo;
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