The Cairo Gotta Institute launches Al -Bustan Film Week

The Goa Cairo Institute launches its week known this year with a new name & quot; Al -Bustan Film Week & quot; In a new dress, where the institute cooperates with institutions from Egypt and Germany to choose Arabic and German films on a specific topic. Alternative Film Center in Cairo, Arsenal Institute & ndash; The Institute of Film and Visual Arts in Berlin by choosing an Arab and German film program on the topic & quot; the dreams of the village and the city & quot; and calls on the public to experience a vital mix of Arab and German cinema with the aim of providing an artistic and social dialogue on various cinematic and perspectives. Social. From 23 & ndash; September 27 at the institute’s headquarters in the center of the country eight Arab films and two German films. This year’s Film Week is named to two of the most influential works in Syrian cinema: movie & RDQUO, Dreams of City & LDQUO; (1984) by Muhammad Malas, who will be shown on the opening night, and & rdquo; daily life in the village of Syria & ldquo; (1974) by Omar Amalay, who can only be shown in excerpts due to his fragile condition. These two works are an inspiration and a mirror through which the program’s films reflect the differences and connections between rural and urban life. By the director Al -Tayeb Mahdi, in which he provides visual contemplation in the geography of Sudan, and & quot; a hunting trip & quot; Directed by Ibrahim Shaddad, who deals with the issue of racism by borrowing & quot; chasing the black man & quot;. Lebanese cinema also attends & nbsp; In the movie & quot; Simon in the Mudha & quot; Director Simon Al -Habr, who displays the story of Simon, who lives in isolation in the mountains of Lebanon, during the Lebanese Civil War between 1975 and 1990, and the movie & quot; September birds & quot; in which director Sarah Francis draws a panoramic painting of Beirut from inside the & quot; Van & quot; Mobile. Director Mahmoud Lutfi, who was produced in the eighties, is one of the distinctive films, and the film is followed by a discussion episode with the director, and the movie & quot; Who won international fame, where he gives an insightful analytical look at the life of the Egyptian family, and the film is followed by a discussion episode with the film’s director Hala Lutfi. A platform for young Palestinian directors at the beginning of the war in Gaza, to become their productions, a variety of realistic will show how art survives in a place where the war and occupation clouds. & Nbsp; • Family Film & quot; very far & quot; The director Sarah Winkenstite, who tells about a friendship that originated between & quot; Ben & quot; German and & quot; Tariq & quot; The Syrian, who suffered from the displacement for various reasons, before turning into two close friends, and the other film entitled & quot; a flexible woman & quot; For director Tatiana Tornsky, who revolves around Greta – the single mother – who is struggling to stay after her separation and loss for his job, and is lost between the prevailing criteria and her desire to express herself. Cerevishing Gallery 2 video installation & quot; The project shows the Egyptian capital from the perspective of two foreign women whose vision is swinging between Parancoa and performance. Daily habits turn into self -actions, and reactions to patriarchal society are translated into an accurate physical language. Where it highlights the challenges and opportunities faced by directors and producers in Egypt and Germany, and the second discussion episode entitled & quot; Arab cinema heritage today: curricula and practices & quot; Which deals with the restoration of the movie Omar Amiri & quot; daily life in a Syrian village & quot; By the Arsenal Institute of Cinema and Video Arts, which will dialogue with the artistic director of the Arsenal Institute, Stephanie Schult Canthaus, with Tamer Al -Saeed, the founder of the Simatk participant, the center of the alternative film, the Arab cinematic heritage in the context of cultural exchange between Europe and the Middle East and North Africa, and runs the discussion of the director Maggie Marjan. One of the most prominent figures in the cinematic scene in Berlin -& nbsp; Advanced workshop & quot; Master Class & quot, where he shares his knowledge in the field of international joint production, in addition to his experience in the field of film distribution. Master Class is run in English. It does not require prior reservation.

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