wing "China today" At the Abu Dhabi Book Fair, 1000 artworks are displayed for 60 creators
Abu Dhabi on May 1/ WAM/ in a move that reflects the depth of the China -Arab cultural partnership, the 34th Abu Dhabi International Book Fair is witnessing a distinctive presence of the “China Today” wing of the intangible cultural heritage, which extends over an area of 400 square meters, and includes more than a thousand artistic and heritage works, produced by more than 60 artists and entrepreneurs representing 16 institutions from different parts of China. The pavilion, supported by the Abu Dhabi Arabic Language Center, provides an integrated cultural experience distributed over more than 10 main categories of arts and creative industries, highlighting the diversity and development of Chinese civilization throughout the ages.
The porcelain department embraces distinguished posts from seven specialized institutions in the city of Jingddhen, the capital of the global ceramics, where high -end models of maneui porcelain, porcelain porcelain under blue paint, and puncture porcelain are displayed, in addition to tea, coffee and ceramic jewelry sets that highlighting the exact Chinese craftsmanship.
In the corner of the traditional fabric, the famous “Bo Chu” fabrics, which reflect a unique mixture of originality and inherited techniques for more than 1300 years, highlighting the trauma and development of the Chinese fabric.
In the field of therapeutic culture, companies from Khadan Province are participating in more than 150 products of natural incense, medicinal herbal bracelets, and spiritual supplies, which reflects the philosophy of traditional Chinese medicine and its old practices.
The “China Today” pavilion also highlights in the field of creative fashion and cultural products, displaying more than 200 pieces that combine heritage techniques and the latest fashion, in a living embodiment of convergence between originality and innovation.
The pavilion celebrates the aesthetics of the traditional Chinese calligraphy and drawing through the participation of the fourth heir to the art of imperial drawing, “Aishinggalo Hingai”, which provides accurate water plates that embody flowers and birds with realistic realistic details.
The show also includes more than 50 pieces of natural Tibetan treasures and “Tanka” paintings, which are considered to be the rarest and oldest forms of Tibetan spiritual art, which enriches visitors with a varied vision of local Chinese cultures.
This participation is one of the largest heritage shows embraced by the exhibition, as it reflects the vision of “cultural convergence through culture and arts”, and the commitment of China and the UAE embodies the strengthening of cultural relations through the paths of creativity and dialogue.
The pavilions assert that the cultural heritage represents a renewed source of innovation, and enhances cultural understanding based on tolerance and openness, stressing that this presence establishes a sustainable cultural partnership between China and the Arab world.
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