Artist Abdel Moneim Riad in his interview with “Rosalousice” is bothering the classification .. I see that the good actor can do everything with the same efficiency

An artist is difficult to find a specific classification that you may oppress if you put it in the comedy template only; It may limit his creativity if you put it in the tragedy template .. He is a multi -talented man who is heavy creativity; Artist Abdel Moneim Riad is the comedy as much as the skill and mastery in which he presents his dramatic works recently participated in more than one successful theatrical work & laquo; Ciopid’s plan & raquo; With the star, Sameh Hussein, on the comedy and the classification crisis, Riyad said in this dialogue ..

■ Do you hate classification and a comedian title? Or & LDQUO; Comedian & rdquo; Or comedy actor; There is a difference between the three classifications; So I am afraid that they will be marked in things that are not present until I put them in their right balance; I like to present a novel that carries a good built position and through which laughter comes out because here I am backed by a dramatic building and a story from which a comedy looks out; While the free laugh there is someone who is adept, so I worry about the classification; I love more that I am a comedian, not a comedian or a representative only, I can do anything.

■ Is every good actor able to play comedy? He loves laughter, but he is not good at making it or sees that it is not one of his tools. Others have given awareness that the ability to deliver the message is suitable from comedy and others; Al-Faisal, artistic work, the story .. Does artwork require that, or the opposite, the actor does everything, but there is an actor who does not go on the path of laughter does not like him, but frankly the actor must do everything. It evolves; While laughter during the past few years, he was stripped of real laughter; What does the real laugh for us mean what is called drama either comedy or tragedy; In the end, it is a story or a story. There are artistic projects that touched on laughter in order to laugh only the social media became an area for making laughter; The sarcasm on it has become taken, straightened, stretched, and a laughter on it, and the construction of theatrical works through it; This harms artistic work and will not add anything to him that you have made a state of joy to the public without a statement; In the basis of the work, just as tragedy stems from the comedy drama, as well as it must stem from a good written drama, but some say: We do not offer a drama and this is not true; Tragedy addresses people’s awareness, feelings and feelings; While comedy addresses the mind and not just & ldquo; It is possible to be important at a specific time; But this is not the model; & Nbsp; The artist’s queens appear in how to absorb this and how you say in your way and reach it to the public..Who you put your touch must be a dramatic building; The comedy in a time ago was dealing with very important and sensitive topics and made real laughter. What affects the feeling may cause distress and depression a day or two, but what affects your mind makes you think a lot; In & Laquo; Mint on your daughters & raquo; Most of the work of the late Fouad Al -Muhandis and others discusses a very important issue through comedy, and he also has awareness that the laughter stems stems from the situation, but not just a free or separate position on the drama, & nbsp; ..And more than normal, with an increase is the same situation. Everyone is aware of the sensitivity of what he presented. He had a culture and awareness of laughter. Not everyone."Full-Width Clearfix"> & nbsp;

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■ Is the actor awareness and the level of his awareness make a difference in making laughter? & Nbsp; on my own, I see that the issue is a mutual responsibility; Initially is the responsibility of the director and then the actor; The actor, if he surrounds his imagination, then there must be a leader of the work that he welcomes, selects from the actor’s additions to what is appropriate for artistic work and drama; So that the public does not keep away from the center of the main event and in the end there is no influential actor without human experience, human experience is the treasure of the actor; Also, when the audience expects you, the work may become not laughing. The actor does not play the role of the author, the director must have a awareness of the lack of paper and how it works; Thus the technical process goes in a correct framework, the situation can need some additions to clarify or confirm it, it may be very clear to a degree; Some additions may not fit with the dramatic construction, and they are deleted, and this happened in many works.

■ Is the comedian amazing? Milodramatic characters are rare as they have an instant interaction from the audience; Unlike comedy; There are many emotions that occur to the comedian while contacting the public; Also, the reassurance of the comedian is part of greed, meaning that this reassurance is afraid because it is used to getting laughter with a certain on a daily basis; It may come to him a time that the Evy does not fed normal or continues the position that reaches the moment the endowment of the scene has not taken his right; Consequently, the expected reaction did not happen daily because it became not diligent in throwing the same ovens as the first time; Therefore, the comedian must focus on being vital; He tries to control additions and interact with the public with a sensitive balance. Reheps usually, and times when the actor heats up, he is not desirable if it is not agreed upon .. The topic is based on awareness, sometimes I may stand by some actors and I am afraid to play in this area because it will not support me, or that the comedy is not one of the tools he plays in the first place. I understood & rdquo;

– Ramy is an important actor and has heaviness on the stage. Ramy has an intuitive speed. The hero is the beating mind of the story and the subject; It is the pomegranate of the scale with the show. Things came to me on the air. I must have an actor who is able to receive what we suddenly do on the stage; Ramy does not drift, but his reaction is on the top of the Evye, which came suddenly and does not show people that this is a new window that receives this with the utmost natural & laquo; And he may say an ordinary sentence of laughter from the depth of the character; Rami took my comfort in front of him; Like the rapidly, the car is similar to the car there is in the narrow distances .. and another was paved with great calm .. and another said to the third .. or the fourth .. or the fifth .. or the first must be controlled With many authors on this issue, because today in this era the author did not follow the paper as it had happened before; And I remember that I collaborated with the author Lenin Al -Ramly in the experience of & ldquo; take off the masks & rdquo; In 2005 he was sitting on the word; It was a school from which I learned a lot and contributed to the formation of awareness in my early beginnings. He was a very serious man in his work and did not compromise; In the beginning, I was not playing the show championship after that, I assigned the role of the hero Aladdin and I remember that I was allowing me to have some simple additions agreed between us, but in the closing scene he was very keen to come out as he wrote exactly with a specific cut and rhythm because he wanted to deliver a specific message, and at that time he closed on the rehearsal room and asked me to deliver this scene as exactly he wanted without deleting, adding, or improving from me; Because & LDQUO; It has a specific technique in speech and rhythm; Lenin Al-Ramli is an exceptional author who does not resemble anyone, I learned from him and from Subhi, entered the two kitchen and learned how to make comedy.

■ In your opinion, did the shape of laughter change today? Laughing not based on something; Building on just sketching a small position; While before the laughter was authentic based on a tight -making drama.

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