“Carmen” .. the legend of love and seduction is renewed on the stage of vanguard

Like a poet or writer, the love of freedom and important on his face, spindling in her goodness, and she embodied in front of him a luscious woman who continued to follow her spectrum as if she was chasing him; He also described it in his imagination, a woman with an honorable soul and a prostitute body & raquo; This was the case of Habib & laquo; Carmen & raquo; The legend of love, which is exposed to the throne of seduction .. It was presented by theater director Nasser Abdel Moneim in an artistic vision mixed with mental and visual creativity; An artistic work in which Abdel Moneim moved with the theater text, Muhammad Ali Ibrahim Wijdan, and the receipt of the recipient of the Al -Taleea Theater; I did not know Apple & LDQUO; Carmen & rdquo; Or I hate it .. There are many levels of anticipation, receipt and follow -up to the novel & LDQUO; Carmen & rdquo; The vanguard that is today on the throne of theatrical visions that preceded and that it dealt with the same novel with many other readings. & ldquo; Carmen & rdquo; Roma operating in the tobacco factory, which wounds one of her colleague after a violent fight between them, is entrusted to the officer & LDQUO; without Jose & rdquo; Her guard after her arrest, but she can seduce and escape from it; It falls without Jose in the net of this violent love until everything loses his profession and life because of this love and is forced to integrate into the lives of these Roma to remain beside her and become a road boycott! Vanguard of the possibility of seeing it with more than one reading and more than one aspect for you to see & LDQUO; Carmen & rdquo; A tragic love story; You can see it as an artistic painting that reflects and deals with an aspect of Roma’s life; And you can read in its contents as high political and human dimensions; Its director and the theatrical post did not want to play a single melody, mixing a variety of melodies to graduate & ldquo; Carmen & rdquo; Loaded with this moods, the mood of romance … love treachery and betrayal; And the mood of freedom that the writers, poets and ideal revolutionaries are chasing in their imagination and do not realize it as a playful woman who is difficult to catch and reach her; And the mood of the class struggle between the stable and civilian soldiers ’community or the life of the marginalized from the Roma: and then reveal the aspects of chaos and injustice between them; This contradiction between two worlds, one of which calls for stability and the other is dissolved from the restrictions of laws and human values, its owners cannot enter into a strict system. The result is the revolution by going out on this system and its resistance in all ways .. Therefore, you have everything here and creativity remains the master of the situation in this rich artistic work. In which Carmen meets her lovers; Then, a separate scenes between the prison and the battlefield between Jose and the lovers of his girlfriend, who get rid of them one after the other, are distributed on the stage, including her gypsy husband; Liwin balance the decoration between the theatrical image and the bloody dramatic events of the novel that ends with the killing of & LDQUO; Carmen & rdquo; Him themselves; The narrative narration and the work events between her boyfriend and the Tarot reader & ldquo; divination & rdquo; That predicted its fate and the fate of the impossible love story between this lover officer who did not succeed in what men failed .. and that tall gymnastics on the ground. And its ambiguity and alienation with simply spoken words came from her lover & ldquo; without Jose & rdquo; What begins with the show and ends by telling his narration with its details during his imprisonment .. While the Flaminko dance had another more eloquent and expressive presence of this violence, and that aversion to how dance highlighted the strength and violence and treachery of this lady that the beloved was unable to adapt and control its alienation; That dance that was also born in the arms of & ldquo; Roma & rdquo; To express the depth of their culture and philosophy in life from this unstable society that is characterized by chaos and killing stability; This was how & ldquo; Carmen & rdquo; Long live with chaos like the unbridled bird every day in a strange bosom that rejects love and safety, which for her ilk is a great trap .. Here the role of the Flamino dance that was distributed to the scenes of the work, which was the deepest expression of the nature of that hug, is distinguished To the highest and hit the land with its feet and move quickly and for a lightning softness .. This dance expresses the sorrows and joys of the Roma, as it carries my face between crying over separation and fragmentation between deserts and cities and the joy of freedom and instability! The combination of the motor performance with the flamko dance and the performance of the role of a representative Carmen, as Reem made a double effort by mastering this dance with the suggestion of its physical content, as it combined the innocence of the face and bad nature to express accurately the essence of her first description that she called it & writer & ldquo; an honorable spirit with a prostitute body & rdquo; With great consciousness and maturity, Reem Ahmed realized the depth of this exceptional character at the level of drama and theatrical writing and was as responsibility in carrying out the heroism of this show in which she writes her birth certificate as a theater actress with a high artistic sense; The tournament was shared by Mido Abdel Qader in the role of & LDQUO; without Jose & rdquo; And Nahal Fahmy in the role of & ldquo; Mikhaila & rdquo; And Muhammad Haseeb in the role of & ldquo; Bastia & rdquo; The owner of the pub; Director Nasser Abdel Moneim also revealed young talents of this work, as Lydia Suleiman created in the role of divination, which mastered acting and singing in this role; And Abdul Rahman Al -Jameel in the role of & LDQUO; Jose Maria & rdquo; Carmen, a sharp -nature husband, played by Abd al -Rahman with skill and ability, as if he were one of the actor’s professional actor for a long time; Mohamed El -Arjawi in the role of & ldquo; The bull wrestler, Ahmed Alaa & & rdquo;; Ahmed Al -Badali & Ldquo; Officer Zoniga & RDQUO; The show is decor and clothes Ahmed Sharbi; Preparation of Hazem Al -Kafrawi music; Sally Ahmed reviews; Abu Bakr Sharif lighting; Writing the play of Muhammad Ali Ibrahim.

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