The Film Criticism Forum discusses architecture and originality in Saudi cinema
The activities of the activities of Film Criticism Forum organized by the Film Authority, amid a remarkable presence of filmmakers, critics and interested people, where the sessions discussed the dimensions of the place, architecture and originality in forming the dramatic structure and enhancing the identity of Saudi cinema , through three consecutive qualitative sessions." target ="_Blank"> The forum his work is a workshop entitled “Umrah: Documentary Cinema and the History of the Saudi Architecture”, moderated by the writer and critic Dr. Muhammad Al -Bashir, and the director and producer Ali Al -Qumayen. Saudi architectural and architectural, indicating that the documentary consists of eight episodes that review urban transformations in the Kingdom after the oil boom, and documents the tales related to historical buildings through modern visual effects linking the past with the present. The real, stressing that the place itself is able to make the story and impose a different narrative pattern. He called for diversification of photography sites and facilitating the use of historical and architectural buildings, considering that what is being filmed represents a legacy that must be preserved. Visual humanity, and that cinema is an extension of this memory. />
famous films
reviewed his experience in designing famous films such as Kit Kat and the mummy, explaining how the place formed a pivotal component of the director of photography and the composer It was entitled “Hubal: Authenticity in Saudi Cinema”, moderated by Dr. Ali Zala and hosted the director Abdulaziz Al -Shalahi, who presented his experience with his new movie “Hubal” (2024), a dramatic work that takes place during the second Gulf War in 1990.
belonging and identity < /h2>
The originality in the cinema is not just a retrieval of the past, but rather an expression of belonging and the identity of the place, indicating that the originality attended in his works such as the boundary of the fire through the lane and popular songs, and in Hubal through the desert that he considered a dysfunction of identity and story.
Al -Shalahi emphasized that the actor can only be performed in a real location far from artificial decorations, stressing that the viewers ’choices were not only for aesthetics, but to consolidate originality and proximity to the recipient. The concerned.
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