Creators warn against relying entirely on artificial intelligence: Leadership will always remain for the human mind
The first day of the activities of the Cairo International Festival for Experimental Theater in its thirty -second session witnessed the first sessions & quot; theater and post -globalization & quot;, which was held today, Tuesday, under the title & quot; theater and artificial intelligence & quot;, with the participation of Dr. Abdul Karim Abboud & quot; Iraq & quot; Dr. Muntaha Tariq & quot; Iraq & quot; Dr. Suleiman Mohamed Atti & quot; Kuwait & quot;, Jihad Al -Dinari & quot; Egypt & quot;, and the session was moderated. Hisham Zainuddin & quot; Lebanon & quot;
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said Dr. Hisham Zain Al -Din The attitudes towards artificial intelligence is different, as there are those who cheer for him and see in it a great technical opening that can develop the theater and push it towards new horizons, while others stand on the opposite bank, considering that it is a direct threat and an existential threat that may threaten the essence of theatrical art itself, which makes artificial intelligence a real problem that calls for deep debate.
Muntar Tariq Hussein, a professor at Al -Mustansiriya University/ College of Basic Education, is that artificial intelligence is able to formulate theatrical texts, but he is unable to embody the human depth. & quot; theater and artificial intelligence & quot;
explained during its presentation of the paper, that artificial intelligence began to impose its presence strongly on many spaces that were originally dependent on pure human energy, which created two contradictory directions: the first adopts fears of the possibility of artificial intelligence in the sense of human sense that is the basis of the creative process, and the second sees in this intervention tool To simplify and accelerate a lot of things. Between philosophical and technical and technical analysis.
& nbsp; She explained that the study was launched from a central problem that: How can artificial intelligence interact with the human dimension in all its human depths and sensory self in the theatrical text, without the text losing its individual and its creative spirit. In the embodiment of the human depth and the contemplative dimension, stressing that the leadership will always remain for the mind and the human action that cannot be reduced within specific frameworks. Suleiman Mohamed Arte, artificial intelligence reshapes the theater with digital spaces that break the traditional norms. Dr. Suleiman Mohamed Arti, associate professor at the Department of Criticism and theatrical Literature at the Higher Institute of Dramatic Arts in Kuwait, participated in the activities of the discussion session & LDQUO; theater and artificial intelligence & rdquo; in advance a scientific study entitled: Artificial intelligence in theatrical art: vision and formation. The arts, as it contributes to converting its elements into new technical formations that correspond to the changing nature of the reception, stressing that the theater and technology are together a syndrome dualism in formulating a contemporary image that is manifested in robots and digital performance & quot; Voice, image, lighting & quot; to create a continuous renewed scenario space. Arti what the researcher Simon Young put forward about the concept of human transcendence, which links scientific and technological progress with enhancing human capabilities to counter death and diseases, through the development of genetic engineering, genes and biological change, which is the same vision that the physicist Gregory Stock confirmed in his book The Redesigning of Humans. Humans & quot;
Dr. Arte stopped studying at the experience of French director Philippe Demers in his play & LDQUO; Inferno & rdquo; & quot; Hell & quot; where the actors wore half -automatic structures during the motor performance, in an attempt to test the ability of a person to coexist with automatic compounds, reflecting a theoretical tendency for new worlds that approach the reality of human life. The same time imposes a type & nbsp; from control appears in theatrical performances through elements such as lighting, sound, movement, software, and video, and that seeking to break the traditional performance norms and open new digital spaces in which the natural structure intersects with the mechanism, developing contemporary artistic practices.
and at the end of his studies, Dr. stressed. Arte that these transformations are not just intellectual theories, but a practical reflection in contemporary theatrical performances that have become based on artificial intelligence and digital techniques, to expand the limits of creativity and reshape the relationship between art, humans, and technology. Virtual in the contemporary theatrical show & rdquo;, within the activities of the discussion session & ldquo; theater and artificial intelligence & rdquo;
Dr. Abdel Karim Abboud Odeh, professor of theater at Basra University, explained at the beginning of his paper, that the theater has witnessed since the beginning of the twentieth century fundamental transformations due to technical and technological development, up to the major challenges imposed by artificial intelligence imposed On the human creator, artificial intelligence is no longer just a tool for data processing or performing routine tasks, but rather turned into a major actor in the formation of creative processes, whether in arts in general or in theater art in particular. He pointed out that artificial intelligence is now able to produce musical texts, images and cinematic videos, and even to reproduce historical performances by digitizing them digitally, in addition to the wide capabilities that it made in integrating the image with sound through advanced digital laws. This made it part of the same artistic process, through his contribution to developing new technological tools such as the techniques of the augmented reality and virtual reality, which contributed to the reshaping of the aesthetic relationship and its artistic and intellectual data, leading to the establishment of a new relationship between the creative artist and the virtual virtual world.
added Dr. Return that artificial intelligence played a pivotal role in making great transformations at the level of cinematic composition and dramatic interaction, as the scenery gave unprecedented possibilities in designing digital worlds that can be changed, alteration, displacement and live interaction, which produced a new interactive dynamic based on the material dimension of the components of the theatrical presentation and the virtual embodiment of intelligence Artificial. It is related to the effectiveness of the presence of the creative human act in exchange for the advanced and changing digital capabilities, especially with the escalation of technical discoveries that seek to remove the role of the creative artist and replace it with virtual capabilities as a tool for theatrical artistic expression. And the threat of industry & quot; The phenomenon of children’s theater & ldquo; online & rdquo; Modern, which is controlled by artificial intelligence, starting from writing and directing to the way of showing. The actual. Al -Bishri, explaining that the use of artificial intelligence programs in writing the script, producing the electronic theatrical image, and sometimes directing, threatens the traditional industry, and even greatly affects the mental and mental health for children and adolescents. The two experiences, and warn of the necessity of conscious dealing with these new technologies. He is later unable to create or innovate because it will be used to laziness. & nbsp;
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