The anniversary of the departure of the musician Baligh Hamdi .. The genius of music and the Baligh of the melodies
Today, Friday, the anniversary of the departure of the great musician Baligh Hamdi, one of the most prominent pillars of Arab music in the twentieth century, and the owner of the unique school that combined originality and renewal, the remaining tone in the heart of all lovers of art, and the genius of the melodies who left his mark on the history of the modern Arabic song. The ancient Shubra in Cairo on October 7, 1931, he grew up in a house that marries science and art; His father was a professor of physics and played the piano, while the atmosphere of the house was full of musical sessions that included senior composers such as Zakaria Ahmed and Al -Qasbaji, and since his childhood he expressed a passion for music, so he learned to play the oud when he was nine years old, and his father gave him a special stick at the age of ten, to start a love journey with the strings that continued throughout his life. In 1954, his name appeared for the first time as a singer when the Egyptian radio broadcast a song called & quot; my heart from longing, Jamil Sahran & quot; but he quickly found his real way in composing, and the song & quot; Les L & quot; Fayeda, the beginning of his launch, after which his successes continued in Beirut and Damascus, where during four months, he composed 22 songs for the Syrians and its singers, then he returned to Cairo to prove himself as one of the most prominent composers. And the beginning of the beginning of a new era, not in their experience alone, but in the march of all Arab music. And others, until its score exceeded 1500 melodies. Enter new rhythms on the Arabic song, and create a mix between oriental and western templates. Baligh Hamdi presented songs inspired by heritage such as & laquo; I am all that I say repentance & raquo; And & laquo; tourists & raquo; Abd al -Halim Hafez, and & Laquo; Ah, Asmarani Color & Raquo; Asia, as was one of the first to introduce the course as a dramatic component influential in the song. And & laquo; biography of love & raquo; Umm Kulthum, and in patriotism, he emerged in & laquo; By Abdel Halim, and & Laquo; my love, Egypt & raquo; Sadia, & Laquo; on Rababa & RAKUO; The Algerian Warda, but in the religious he presented a leading experience with Sheikh Sayed Al -Naqshbandi in & LDQUO; & ldquo; And & rdquo; Hallaq Baghdad & rdquo;, and he received the State Encouragement Prize in 1966, and in folklore cooperated with Muhammad Rushdie and Abdul Rahman Al -Abnudi in works such as & ldquo; Adawi & rdquo; Zuba & rdquo; And & rdquo; Road & rdquo; And & rdquo; Alley & RDQUO;, and in TV drama & laquo; mouths and rabbits & raquo; And & rdquo; Al -Halawani Portal & RDQUO; What was the last thing he had in his life.
& nbsp; As he was forced to alienation in Paris and London in the mid -1980s after a famous crisis, before returning to Egypt in 1990, carrying major musical projects that destiny did not give him to achieve.
& nbsp; He established his position as one of the most prominent Arab music in the twentieth century. & nbsp;
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