Art Stars: June 30 Revolution “Inspiring” .. The drama documented terrorist crimes
& Laquo; Art & RAKUO; The state is to educate the Egyptian people and document the events that witnessed the Egyptian state, especially during the rule of the terrorist Brotherhood. After the June 30 revolution, it presented many important works that documented this stage and the Egypt war in order to enlighten the minds and purify the land of terrorism, in addition to documenting the heroism of the army and the police. During this file, a number of art makers speak, such as choice, swarm, and a counterattack about their participation during these works and difficulties they faced and their memories with them as well as events and facts they wish to present about this period.
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Omar Abdel Halim: & laquo; Squadron & Raquo; Work for history and dreamed of presenting a movie on the war of attrition
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& laquo; Squadron & RAKUO; And revenge for 21 young men from its sons & nbsp; The writer Omar Abdel Halim, about his great pride that he is in his autobiography as a writer and action artist like & laquo; Squadr & Raquo; And who documents this stage .. & laquo; Abdel Halim & raquo; he said: I feel happy and proud, I have confronted this work that is now presented on the anniversary of the revolution, and always reminding our war against terrorism, and considered it an important work in my career, because it is an incredible work that is not intended to entertain in the first place, as much as it falls within the framework of the works that are presented to history & raquo;
Which is presented about an important historical stage such as the June 30 revolution and the subsequent successive events, you need a period of contemplation and research in order to be able to judge it because the artistic work, especially the cinematic, is a historical document, for example the movie & Laquo; Squadron & Raquo; Through which a real incident was presented, it was presented five years after the accident that took them in research and writing, then the stage of processing and photography.
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Sameh Al -Suriti: We prepared our Egyptian identity .. & laquo; choice & raquo; Our martyrs honored
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& Laquo; June 30 Revolution represents the real salvation and the restoration of the Egyptian identity & raquo; this is confirmed by the artist Sameh Al -Suriti, noting that it is a milestone in the history of the country where the people showed their will strongly, and we witnessed a real cohesion between the army and the people.
& laquo; He said: & laquo; And the embodiment of one of the leaders of the terrorist group, because it is a work that everyone was waiting for, as it honors & nbsp; our martyrs and display the facts that we were not aware of, we are against those who stain his hand with blood or incite that, and when I agreed to this work, I did not fear anything or any threat, & nbsp; because I am not better than those who sacrificed their lives in order to protect us, and during my presentation She relied on the tight scenario and then imagination, and thank God the reactions to the series were wonderful, especially that he built a mass in the first part and continued its success in the rest of its parts & raquo;
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Ahmed Refaat: A proud to embody the martyr Ahmed Gad, the hero of the battle of the oases
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from the characters who achieved great success during the events of the second part of the epic & laquo; selection 2 & raquo;, the character of the martyr Colonel Ahmed Gad, one of the heroes of the oases process, which was embodied by the artist Ahmed Refaat, as he said: & laquo; selection 2 & raquo; It was an important technical dose that dealt with a dangerous stage after the June 30 revolution and the breaking of a fourth sit -in and the war against terrorism. Work is an epic in relation to the goal for which he was presented, and I honored that I was part of it, and I presented a very proud of it, which is the personality of the martyr Colonel Ahmed Jad, which will remain an important mark in my artistic career & Raquo. And about the scenes of his presentation to the martyr Jad in & Laquo; Choice 2 & Raquo; He added: & Laquo; This character is very rich in its details and was written wonderful & laquo; Gad & Raquo; It is still alive.
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Salah Abdullah: My participation in & laquo; a counterattack & raquo; And & laquo; selection & raquo; A national mission I have honored
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& Laquo; June 30 Revolution is one of the most prominent stations in the history of Egypt & raquo;, in the words of the artist Salah Abdullah, indicating that it contributed to correcting the path and inspired Egyptian art to restore its true role.
& laquo; Abdullah & raquo; He explained that the artistic scene after the revolution witnessed a gradual improvement, which led to the emergence of prominent national works such as & laquo; choice & raquo; And & raquo; And & Raquo; Kalbash & Raquo, describing it as distinguished works that carry important messages to the public and highlight real championships and challenges that the country lived. I was very happy with this experience, as I embodied the personality of a retired brigade who participated in the October War in the first part of the choice, and this is one of the roles that I am very proud of, because it is not just a representation, but rather a technical and national responsibility that I am proud of & raquo;
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Mohamed Riad: Art has regained its balance and national issues topped the works
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& nbsp;" June 30 was an important turning point in the Egyptian art scene, as art before it was going in other directions, but after the revolution and stability that followed, artistic production began to regain its activity gradually until it reached a level of balance and awareness of national issues & raquo; according to the artist Mohamed Riad. He explained: & raquo; We all lived through this period with all its concern and fear for the future of the country, and we were aware of what is going on behind the scenes, and it is important for the public to realize the size of the challenges the state faced at that time, especially with the escalation of the threat of terrorism and attempts to destabilize state institutions from within & raquo;. & nbsp; they did not sleep or leave their positions, and they were the real shield that protected the country from countless dangers, led by terrorist groups that wanted to tamper with the country’s security and stability & raquo;.
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Magda Morris: The revolution was an incentive for a technical movement among creators." Style ="Height: 267px; Width: 400px;">
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& Laquo; June 30 Revolution was a motive for a clear artistic movement, as creative energies emerged among some artists who interacted with the event strongly, while there were others less involved, which reflected the diversity of reactions in the artistic community & raquo; with those words, the critic Magda Morris spoke about the overthrow of the people. The terrorist, explaining that June 30 cannot be separated from January 25, as many consider them complementary to each other, and artworks have emerged that have been documented moments of Tahrir Square, demonstrations and participants, especially those who stayed in the field for long periods. She said: & raquo; There are many & nbsp; dramatic works that dealt with & nbsp; anti -terrorism, most notably series such as & nbsp; & nbsp; & laquo; a counterattack & raquo; & Raquo; returnees & raquo; Also the & laquo series & raquo; With its various parts, which is one of the most important actions that monitored the battle of the state against terrorism and revealed the plans of the Brotherhood in the street and the presidential palace, and highlighted the Rabaa armed sit -in, and how the group seized important areas in Nasr City?"Color:#c0392b;"> Mahmoud Qasim: Series & Raquo; Assassin & raquo; Intellectual terrorism faced
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Many artworks have documented a period of the most difficult periods in the history of Egypt, where the critic Mahmoud Qassem sees that the state in recent years has focused more on supporting national works through television drama, while the cinema witnessed a state of retreat and landing, explaining that national works appear strongly only during the month of Ramadan, then the rest of the year is absent, and this pattern is not enough to build an artistic awareness Continuing, especially with the multiplicity and intensity of the series in one month, then stop after it. It is one of the most successful works that dealt with the army championships, because it is one of the distinctive works at the level of idea and implementation, as well as the series & Laquo, the Assassin & Raquo;, it was one of the best works that faced terrorism intellectually, so I hope the state continues to support this type of action continuously. & Nbsp; & nbsp; a large entity that sponsors this type of artwork because it deserves & raquo;
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